About Us
MUSICA RUSSICAEstablished in 1987, Musica Russica is the largest publisher of Russian choral music outside of Russia. Musica Russica's founder and president, Dr. Vladimir Morosan, is acknowledged internationally for his expertise in the history of Russian choral music and its performance. Definitive and authoritative editions are produced drawing from Musica Russica's extensive library of original sources, in consultation with scholars from around the world. |
WE ARE HERE TO HELP YOUIf you have had no prior experience with Russian choral music before and are contemplating it for the first time, consider these tried and proven facts:
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WORLD-CLASS QUALITYMusica Russica's editions are successfully performed by professional, amateur, and student choirs throughout the world. Musica Russica's publications have been recorded on numerous CDs, including releases on Chandos, EMI Classics, Harmonia Mundi, Hyperion, Nimbus, and Paraclete Press, to name a few. Now you can add your choir to this distinguished lineup and enhance the experience of both your singers and your audiences. |
OUR VISION
To acquaint the world-wide community with the vast and rich heritage of Russian choral music—sacred, secular, and folk—by means of recordings, sheet music, and research publications; To make available authoritative and easily obtainable musical editions that combine top-level scholarship with practicality and "user-friendliness" |
To serve as a one-stop source for all currently available recordings of Russian choral, folk, and classical music; To provide a wide range of support and consulting services to performers seeking to perform and record Russian choral and vocal music, including programming consultation, on-site and remote diction coaching, and program notes. |
Dr. Vladimir Morosan, Founder and President of Musica Russica, is one of the leading experts outside Russia in the fields of Russian choral music and Orthodox liturgical music. After completing his undergraduate degree in music at Occidental College, in Los Angeles, California, he received his masters and doctoral degrees in choral music and musicology from the University of Illinois. Combining his Russian heritage with an abiding love for choral music, he undertook groundbreaking research in Europe and the former Soviet Union under the auspices of fellowships from the Thomas J. Watson Foundation, IREX/Fulbright-Hays Exchange Program, and the National Endowment for the Humanities. In the process, he compiled one of the largest and most complete reference collections of Russian choral scores, which became the basis for the ongoing series, Monuments of Russian Sacred Music, published by Musica Russica. His book Choral Performance in Pre-Revolutionary Russia (1986) is considered the definitive study of this topic. |